In which book does Louise Rosenblatt talk about the importance of the reader’s response to a literary work? (A) The Act of Reading: A Theory of Aesthetic Response(B) “Literature in the Reader: Affective Stylistics”(C) Subjective Criticism (D) Literature as Exploration
Historical-biographical approaches involve (A) a focus on the life, time, and environment of the author and/or characters(B) an examination of how external factors affect the text(C) a focus on the aesthetics of the text (D) both a and b
Edward Brathwaite’s poem “Calypso” assumes that you are familiar with _____ . (A) the business of Calypso during the Middle Passage (B) the West Indian music in syncopated African rhythm(C) the folk ways and mores of Trinidadian merchants(D) the operatic performance of Banjos
In which essay does Norman N. Holland discuss the relationship between identity and reading? (A) “Unity Identity Text Self”(B) “Literature in the Reader: Affective Stylistics”(C) “A Rose for Emily”(D) Religio Medici
The most significant source of imagery and symbolism, as well as theme, in “Young Goodman Brown” is (A) transcendentalism(B) Dante’s Inferno(C) Milton’s Paradise Lost (D) the Bible
Match the following List-A (A) The Grammar – Translation Method (B) The Direct Method (C) Total Physical Response (D) The Natural Approach List-B (i) comprehensible input (ii) strategic use of mother tongue (iii) shuns mother tongue (iv) oral input (A) (A)(ii) (B)(iii) (C)(iv) (D)(i)(B) (A)(ii) (B)(iv) (C)(i) (D)(iii)(C) (A)(iv) (B)(ii) (C)(i) (D)(iii)(D) (A)(iii) (B)(i) (C)(ii) (D)(iv)